My first version performed in the gorgeous Uranienborg church, I will be accompanied by an insightful Schubert lecture by Jonas Lind Asgedom. Abstruse.

My first gig in Finland, Funeral will line up at Helsinki’s delectably intimate On the Rocks alongside none other than Shape of Despair. Omen.

A rare delight, I relish presenting possibly my favourites amongst all of the art song repertoire: selections from Hugo Wolf’s Goethe songs, including Prometheus and Grenzen der Menschheit - supplemented by some of Strauss’ most luscious lieder - alongside the prodigious Ludvig Lohne-Otterstad. Panzer.

My treasured collaboration with the magnificent Lars Sømod gets another installment as we join forces for a summer program juxtaposing Bach, Händel, and new Scandinavian compositions. Doozie.

A long-awaited treat ever since I first sang the choir parts in college, I will be debuting as the soloist in Lars-Erik Larsson’s Förklädd Gud with Grorud kirkes kammerkor and Roar Berg. Spunk.

Funeral’s - and indeed my - first gig in Italy, we will be headlining the 2026 Church of Crow festival in Piedmont. Corps.

For the third and annoyingly probably not final time at Pilestredet Park, I will be singing too many things alongside esteemed Gesamtkünstlerin Hege Høisæter and king-of-all-trades Jan-Bjørnar Sture. Bask.

One of the most haunting evenings of the church year, I get an unparallelled opportunity to perform Knut Nystedt’s bespoke Tenebræ Facta Sunt for baritone and organ. Nub.

An absolute thrill, my first visit to Inferno will be performing on stage - with Funeral. Christ.

Returning to Høvik church where I have had some absolutely inspirational times in the past, I am joining Bærum Bach-kor for what is for me a debut performance of Arvo Pärt’s Passio. Orphic.

Whilst embarking upon Die Winterreise is starting to be a familiar path for me, this iteration is brand new. Gregor Meyer’s arrangement for chamber choir, baritone and piano is getting its Norwegian premiere with me, pianist Sveinung Bjelland and Bislett Vokalensemble under Gjermund Brenne’s expert leadership - in Vetle Røsten Granås’ brand new New Norwegian translation, to boot. Drang.

Up there with my most exciting undertakings ever, I will plan, perform and present a Christmas extravaganza alongside my friends in Harde Mottak and an exquisite band. Ribbing.

My final concert here as an inhabitant of my native Lørenskog, tenor Magnus Fremstad, pianist Per Arne Frantzen and I can promise a Very Special Evening indeed in Skårer church. Hallow.

A piece that opened many exciting doors for me a few years ago, I’m over the moon to be able to reprise Carl Orff’s iconic Carmina Burana alongside Telemark Symphony Orchestra and a massive youth choir from Skien High School. Ego.

Rejoining my friends in SAS Brass Band for their annual extravaganza, I will channel all my bavarian bluster from Max Raabe to Till Lindemann via Franzl Lang (yes, that one). Blow.

I’ll be appearing in Bjørn Erik Haugen’s performance piece After The Event at Losæter gård, in surroundings that may prove to live up to every iota of its post-apocalyptic message. Throe.

Ending the Memorial Festival Week, Daniel Bjørlo, Saphir String Quartet and I will perform Lieder eines fahrenden Gesellen and Rückert-lieder in their entirety. Bliss.

Kicking off Larvik Barokk 2025, Schlendrian and Lieschen are percolating it up alongside Øystein Stensheim as the tenor barista. Woof.

Warming up before Larvik Barokk, Schlendrian and Lieschen are checking if there’s anything left on the BWV 211 thermos alongside Nivalis Barokk and Øystein Stensheim as the tenor barista. Scald.

Following up our gig at Gothoom two days before, Funeral’s mini-tour terminates at Escape Metal Bar & Live Club in Vienna. Cimmerian.

My first visit to Slovakia, we’ll be bringing our doldrums and despair to the opening day of Gothoom 2025 in Žemberovce. Woe.

My first gig with Funeral abroad, we will perform our Gospel of Bones set at the warm-up to this year’s Brutal Assault. Erst.

Hopefully Undoubtedly with a high bar to follow from the night before, we’ll treat everybody to BWV 11 and BWV 249 for the second time this weekend. Flak.

Returning to relive the events that birthed some of my favourite critiques, I’ll join my good friend Erling Neergård as I encounter BWV 11 and BWV 249 for the first time. Yelp.

I will get to perform this beautiful piece for a fourth time, and then to top it off I’ve been given the massive honour of commiting it to a recording the following days. Massive.

The second round of the weekend, Per Kristian Amundrød, Paulikor and my esteemed co-soloists will no doubt push the boat out something fierce on the Sunday iteration. Bam.

One old warhorse and one new spring chicken, I’ll be performing these two Mozart pieces alongside Per Kristian Amundrød, Paulikor and esteemed soloists in Grünerløkka’s most gorgeous space. Wham.

A welcome return to Fagerborg church, I’ll be brushing the dust off of one of my favourite pieces alongside an absolutely lovely ensemble, ditto choir and terrific soloists. Flash.